Erik/typst
1
0
Fork 0
Code Issues 7 Pull requests Projects Wiki Activity

Englisch am 10.01.2025

Browse source
This commit is contained in:
Erik Grobecker 2025-01-10 13:15:02 +01:00
parent c5355fcbd0
commit 390f83f76f
Signed by: Erik
GPG key ID: 80D020D0ABBD3FB2
2 changed files with 47 additions and 16 deletions
Show stats Download patch file Download diff file Expand all files Collapse all files

22
INDEX.md
View file

@ -54,17 +54,17 @@
## Englisch
| Thema | Datum | Link |
| -------------------------------------------- | ---------- | ------------------------------------------------ |
| | 04.10.2024 | |
| | 30.10.2024 | |
| **Dystopia:** Beginning | 21.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-21.pdf) |
| **Dystopia:** Beginning of a dystopian story | 22.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-22.pdf) |
| **Dystopia:** atmosphere | 27.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-27.pdf) |
| **Dystopia:** China as a dystopian country | 29.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-29.pdf) |
| **Dystopia:** Mock exam | 04.12.2024 | [hier](./schule/englisch/pdfs/EN_2024-12-04.pdf) |
| **Dystopia:** analysing an Analysis | 05.12.2024 | [hier](./schule/englisch/pdfs/EN_2024-12-05.pdf) |
| **Dystopia:** Homo Deus | 09.01.2025 | [hier](./schule/englisch/pdfs/EN_2025-01-09.pdf) |
| Thema | Datum | Link |
| -------------------------------------------- | ------------------------- | ------------------------------------------------ |
| | 04.10.2024 | |
| | 30.10.2024 | |
| **Dystopia:** Beginning | 21.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-21.pdf) |
| **Dystopia:** Beginning of a dystopian story | 22.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-22.pdf) |
| **Dystopia:** atmosphere | 27.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-27.pdf) |
| **Dystopia:** China as a dystopian country | 29.11.2024 | [hier](./schule/englisch/pdfs/EN_2024-11-29.pdf) |
| **Dystopia:** Mock exam | 04.12.2024 | [hier](./schule/englisch/pdfs/EN_2024-12-04.pdf) |
| **Dystopia:** analysing an Analysis | 05.12.2024 | [hier](./schule/englisch/pdfs/EN_2024-12-05.pdf) |
| **Dystopia:** Homo Deus | 09.01.2025<br> 10.01.2025 | [hier](./schule/englisch/pdfs/EN_2025-01-09.pdf) |
[↟ table of contents](#table-of-contents)

41
schule/englisch/EN_2025-01-09.typ
View file

@ -6,7 +6,7 @@
#show: project.with(
title: [Dystopia: Homo Deus],
seminar: [English Q2],
// show-outline: true,
show-outline: true,
author: "Erik Grobecker",
date: datetime(day: 9, month: 1, year: 2025),
)
@ -42,9 +42,40 @@
// Definitly doesn't remind me of cyberpunk...
#pagebreak()
=== "Actual" summary
The extract of the of the book "Homo Deus",
written by Yuval Noah Harari
addresses the question how we as humans should percieve algorithms or AI (not mentioned but relevant in recent years).
//TODO: finish summary
- algorithms in the economy
- legal entities
- owned by people, corporations or themselves?
- algorithms in arts
- unable to write "soulful" music?
- worse off than human artists
- what can't algorithms do?
The extract of the non-fictional book "Homo Deus",
which is written by Yuval Noah Harari,
and addresses the question how we as humans should percieve algorithms //or AI (not mentioned but relevant in recent years)
and indirectly asks the reader how these should be handled,
meaning that he explains how algorithms may act and what they could achieve.
Harari mentions at first, how algorithms would be able to take over human jobs,
which might lead to them owning the world,
while we their creators serve them.\
He indulges in this thought by providing us with the information that
human workers are able unionise and stage protests etc.,
which gives them a certain power they can exert over their employers,
like them going strike to gain a increased wage.\
Algorithms however would replace many workers rendering this replaced working population powerless,
they would be unable to influence corporations and would have to pursue other job opportunities.
Harari then responds to this by pointing out that maybe these algorithms could be seen as own entities,
independent from their former employer, a corporation.
If the case stated above becomes true,
would we as humans be able to find another "object of interest",
that would differentiate us from the maschines?
Harari presents that some believe that arts like music is such a field,
as some exclaim that "art is filled with soul" or even that "art is touching them"
and that only humans would be able to create such works.